Your computer rests.
At night, or whenever you are away, your computer lends its graphics card to PLENUM. You choose the hours, and you can pause it at any time.
The world's resting computers, rendering films and worlds together.
Five steps, from a resting computer to a finished film. Tap the bars to move through them.
At night, or whenever you are away, your computer lends its graphics card to PLENUM. You choose the hours, and you can pause it at any time.
Somewhere, someone has a story and a deadline. They describe the shot and pay for it in PLENUM.
A film is thousands of single pictures called frames. Each frame is cut into small tiles, and the tiles are sent out to resting computers.
Each computer draws a few tiles. Every tile is checked, and the frame comes back together, finished.
The creator gets the film. Each computer is paid for the tiles it drew. A shared notebook writes down who lit every frame, and nobody can erase it.
That shared notebook is the blockchain. It is copied on thousands of computers, so no single person can change a line.
For PLENUM, it works like a film's end credits: the person who imagined the shot, the model that dreamed it, and every machine that rendered it.
The Salt Mirror
A short film · 2 minutes · 2,880 frames
Each machine was paid in PLENUM. Its name stays in the shared notebook.
Every name, film and number here is invented.
Picture the chain as a spiral of films. Each card is one block: a frame, with the computers that lit it written underneath. When a creator pays, a coin rides the spiral to the people who lent their light.
Films by Spectralmoon Studio. The credits on the cards are invented.
Most computers rest for hours every day. PLENUM gathers that resting power into one studio, so a single creator can render a film or a world on thousands of machines at once.
When your computer rests, its graphics card joins the network and renders frames for creators.
Each finished frame is paid for in PLENUM, written in a shared ledger that anyone can check.
Creators spend PLENUM to render films and build 3D worlds, far faster than one machine could.
Lend your light.
Render your world.
Design concept. Nothing here is open yet.
Every night, millions of computers rest with their light still on. We would like to give that light to cinema. PLENUM is one studio with every model inside it. Creators bring the idea. The network brings the light.
When you lend your machine, it renders frames for people you will never meet, and it is paid for every frame it makes. Every frame remembers who lit it: the person who imagined it, the model that dreamed it, the machine that rendered it. Nothing hides in the credits. The ledger is the credits.
A film made by thousands of machines can still belong to one author.
Lend your light. Render your world.
No. PLENUM is a design concept by Spectralmoon Studio. There is no token and nothing to buy, and every name, film credit and number on this page is invented.
A shared notebook that thousands of computers keep identical copies of, so nobody can quietly rewrite a past line. A coin is a unit written in that notebook, which people can send to each other without a bank in the middle.
Yes, for 3D rendering. Networks such as Render already let people lend spare graphics cards to artists. PLENUM imagines the same idea for films, with a credit for every machine that worked on them.
The idea is that your computer only works while you are away, within limits you choose, and you can pause it at any time.
This is the hardest part, and we would not promise full privacy. Real networks encrypt files on the way and show watermarked previews until a frame is approved and paid for.
Real networks spot check frames, render some of them twice, keep a reputation score for every machine, and wait for the artist's approval before anyone is paid.
Which machines rendered a shot, which model was used and who directed it, as a timestamped record built on the open Content Credentials standard. It is a record of who made what, not a legal proof of copyright.
Honestly, a real version would start with plain credits priced in euros, the way existing networks work. The coin here is part of the story: the money of a cinema made by many machines.